In the many remedies that have emerged for attaining success in the wonderland, that is the showbiz, one that holds the highest ground is the amalgamation of trends and art. Not one but a plethora of wise women and men in the industry have succumbed to following up a creatively liberating project with a box office no-brainer. However, Emily Blunt has come out to state some strong sentiments regarding the same.

The Oscar nominated actress after throwing a nuclear performance in the nuclear world of Christopher Nolan has lashed out at the overbearing attention paid to one of the most crucial things and pointed out the creative restrictions they pose.

As showbiz moved further into the 21st century, and access to celebrities became as easy as cake through social media, two significant changes happened. Firstly, celebrities clutched their two cents to their hearts in fear of getting canceled. Secondly, algorithms came to influence creative choices. However, in her Vanity Fair Italy cover story, Emily Blunt shattered this trope as she stated, "I hate that f***ing word," while discussing algorithms.

The actress further expressed her frustration with it as she questioned, "How can it be associated with art and content?" Blunt then cited the example of her award-looting movie Oppenheimer which had defied all the futile norms to prove just how irrelevant algorithms are.

Taylor Swift to Perform Ryan Gosling and Emily Blunt’s ‘All Too Well’ on Eras Tour? Singer Reveals in Awe

While the actress has now made her dislike towards algorithms pretty clear, she has not been immune to the same.

Among the Hollywood gems who have constantly strived to serve silver linings with projects, they star in stands Emily Blunt. The actress' filmography seems to be a deep dive into the diversity of cinema. While not enough can be said about her prowess, Blunt has also taken the bait and starred in movies built on the exact elements that the algorithm deems successful. The latest of the lot being Jungle Cruise.

Released in 2021, Jungle Cruise stars Dwayne Johnson alongside Emily Blunt and a series of plot holes. Despite grossing over $221 Million worldwide, it joined the flock of her least-grossing projects. Said flock also included the likes of The Girl on the Train, Looper, and Sicario. While these are few in number, they do prove that Emily Blunt shines the brightest when she is in a creatively liberating project.

Robert Downey Jr. Avenges Emily Blunt’s Snub: Wins SAG Awards’ Best Supporting Role for ‘Oppenheimer’

What do you think about Emily Blunt's statement? Let us know in the comments below.